Why it’s my favorite scary movie: My wife is not a big fan of horror movies, but last Halloween she agreed to watch THE THING with me on the big screen. As the film started and a sled dog ran. Watch The Thing on 123movies: A US research station, Antarctica, early-winter 1982. The base is suddenly buzzed and attacked by a helicopter from the nearby Norwegian research station. They appeared to be trying to kill one of the dogs from the US base.

Universal Pictures Home Entertainment The making of The Thing was, by all accounts, a physically grueling process, especially for Rob Bottin. By the end of the film, and had to be hospitalized (he also had double pneumonia and a bleeding ulcer). In order to finish the laundry list of creature effects the film needed, Bottin enlisted the help of Stan Winston to complete what turned out to be one of the film’s most stunning, and earliest seen, effects. Winston, known for his work on movies like Aliens, Predator, Edward Scissorhands, and Jurassic Park, would not accept credit on the film, however, as he was adamant that it was “Rob’s film.” Winston was thanked in the final credits. KURT RUSSELL ALMOST KILLED HIMSELF WITH A STICK OF DYNAMITE. Russell threw an actual stick of dynamite during a scene toward the end of the film.

He did not, however, anticipate it being so powerful. Russell was literally blown backwards after the device detonated; this take was left in the film.

LEGENDARY COMPOSER ENNIO MORRICONE PENNED THE SCORE. John Carpenter famously writes the music for most of his movies. However, being that The Thing was his first studio film, and because he was short on time, he asked Ennio Morricone to do the honors.

Morricone, a five-time Oscar nominee known for his work with Sergio Leone, obliged and crafted a synthesizer-laden score very reminiscent of Carpenter’s own composing style. CAMP AND THE NORWEGIAN CAMP WERE ONE AND THE SAME.

John Carpenter comes from the school of low-budget filmmaking and, as such, knows how to stretch a dollar. Instead of building an entirely new set for the Norwegian base camp scenes that appear early on in the film, Carpenter simply filmed those scenes in the charred remnants of Outpost 31, after it was blown up for the movie’s climactic finale. IT FEATURES AN ALL-MALE CAST.

YouTube The only females in the movie are the women appearing on a taped version of Let’s Make A Deal, Adrienne Barbeau’s (uncredited) voice as MacReady’s computer, and a blow-up doll that never made it into the final cut. ROB BOTTIN WAS SENSITIVE ABOUT HIS CREATURES. “Rob [Bottin] was always very sensitive about his creatures,” recalled cinematographer Dean Cundey. “Whether there was too much light on them. We always sort of joked: If it was up to Rob he would build the creatures to be incredibly interesting and imaginative and then not put any light on them because he was afraid of showing them.” 11. CARPENTER FEARED THAT AUDIENCES MIGHT LAUGH AT THE FILM. Carpenter was very nervous about how the audience might react until he saw some of Bottin’s effects in person.

“When I started seeing some of the effects that Rob created—it was one in particular, one particular sequence where Charlie [Hallahan’s] head comes off the table and the tongue shoots out and it pulls across and turns over and grows stalks and walks across the floor—when I saw that I realized a great sense of relief because what I didn’t want to end up with in this movie was a guy in a suit,” said Carpenter. “Even as great as [ Alien] was, and Alien was a terrific movie in the very end, up stood this big guy in a suit.” 12. A STOP-MOTION SEQUENCE WAS FILMED BUT NEVER MADE IT INTO THE FINAL CUT. For a pivotal scene near the end of the film where MacReady battles the enormous “Blair-Thing,' Bottin called upon stop-motion expert Randall Cook for help. Cook created an entire miniature model of the set and filmed the wide angle shots of the monster using stop-motion animation. Despite only taking up seconds of screen time, the sequence took countless hours to create. Ultimately, Carpenter decided not to use the footage as his own eye could detect the stop-motion animation.

AN ALTERNATE ENDING WAS FILMED, JUST IN CASE. John Carpenter and editor Todd Ramsay shot and cut an alternate ending to the film that was never used. Ramsay was concerned that the bleak, ambiguous ending would not test well with audiences, so he suggested that Carpenter cover his bases and have a spare ending ready to go.

They filmed an additional scene where lead character MacReady (Kurt Russell) is rescued and appears in a room where he is given a blood test to determine whether he has been assimilated, which he passes. Fortunately for fans of the film, this alternate finale was not needed as Carpenter stood firmly behind the movie he had made—ambiguous ending and all.

Additional Sources: The Thing: Collector's Edition, Special Features John Carpenter's The Thing: Terror Takes Shape. Black Panther broke conventions about what a comic book should look like by delving into deep social and political themes while staying true to its Marvel Cinematic Universe roots. Earlier this month, the hit film—which was directed by Ryan Coogler— the first superhero movie to be nominated for a Best Picture Oscar.

(Even more recently, it earned the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture.) The movie has already made history, so it only makes sense that it will be a part of this year's Black History Month celebration as well. Fans who missed on the big screen last year—or those who just want to see it again—will have the opportunity to attend a free screening in February. Wifi password hacker download. Disney has announced the movie will play twice a day at 250 AMC locations nationwide from February 1 to February 7, 2019. The best part?

The tickets are free to all attendees. Complimentary admission means the studio won’t be adding to the approximately $1.35 billion that Black Panther has already earned at the global office—and the people of Wakanda wouldn't have it any other way.

“ Black Panther is groundbreaking for many reasons, including the rich diversity of voices behind its success,” Walt Disney Company CEO Bob Iger in a statement. “The story also showcases the power of knowledge to change the world for the better, and the importance of ensuring everyone has access to it.

We’re proud to provide thousands of free screenings of Black Panther in hopes it will continue to inspire audiences.” Iger also announced that Disney will donate $1.5 million to the United Negro College Fund as part of the event. To find out if Black Panther will be coming back to a theater near you, click. Rare footage of ’s first televised performance as Ziggy Stardust has been unearthed, but the viability of that footage remains in question. As the reports, the original recording of the late singer’s 1972 performance on the British TV show Lift Off With Ayshea was long lost, having been accidentally deleted by a technician years ago (which was fairly for networks in the earlier days of television). Fortunately, a fan taped the performance on their home video recorder, and that footage was recently rediscovered. The tape is in fragile condition and has degraded over the years.

However, the producers of a forthcoming BBC documentary called David Bowie: Finding Fame hope it can be restored in time to include in the documentary, which is set to debut on BBC Two next month. The footage is currently being “baked” in an incubator so that it can be. Francis Whately, the documentary’s producer and director, told the Radio Times that the latest found footage “is something of a Holy Grail” for fans. Previously, the earliest recording of Bowie’s flamboyant Ziggy Stardust persona was his 'Starman' performance on the British TV program Top of the Pops, which was filmed a month after his Lift Off appearance. The BBC documentary will also feature never-before-heard audio recordings and footage, including Bowie’s audition tape for the BBC’s talent selection group in 1965.

In a move that likely still haunts them, the BBC rejected Bowie for radio play, stating that he was 'not outstanding enough' and 'devoid of personality.” Of course, that didn’t stop Starman. Ever since Bowie died in January 2016, a few of his early recordings have emerged from the woodwork. Earlier this year, Parlophone Records announced it will release a featuring two of the earliest known recordings of 'Space Oddity,' among other tracks. And last fall, the first song that Bowie ever recorded when he was 16 years old at auction for around $50,000. It had been found in a.

The Thing (also known as John Carpenter's The Thing) is a 1982 science fiction horror film directed by John Carpenter, written by Bill Lancaster, and starring Kurt Russell. The film's title refers to its primary antagonist: a that assimilates other organisms and in turn imitates them. It infiltrates an Antarctic research station, taking the appearance of the researchers that it kills, and paranoia occurs within the group. Ostensibly a remake of the classic 1951 Howard Hawks-Christian Nyby film The Thing from Another World, Carpenter's film is a more faithful adaptation of the novella Who Goes There? Campbell, Jr.

Which inspired the 1951 film. Carpenter considers The Thing to be the first part of his Apocalypse Trilogy, followed by Prince of Darkness and In the Mouth of Madness. Although the films are unrelated, each feature a potentially apocalyptic scenario; should 'The Thing' ever reach civilization, it would be only a matter of time before it consumes humanity and takes over the Earth. The theatrical box office performance of the film was poor. This has been attributed to many factors, including Steven Spielberg's E.T. The Extra-Terrestrial, which was released at the same time and features a more optimistic view of alien visitation, and another popular science fiction film, Ridley Scott's Blade Runner, being released on the same day.

However, The Thing has gone on to gain a cult following with the release on home video. It was subsequently 'novelized' in 1982, adapted into a comic book miniseries published by Dark Horse Comics, and was followed by a, a released in 2011 and a spin-off released in 2015. Contents [] Plot In winter 1982, an American is alerted by gunfire and explosions. Pursued by a Norwegian helicopter, an Alaskan Malamute makes its way into the camp as the science station's crew looks on in confusion. Through reckless use of a thermite charge, the helicopter is destroyed and killed in the resulting explosion.

Fires at the dog with a rifle, grazing (Peter Maloney), one of the researchers. As Lars pursues the dog, he is shot and killed by a bewildered (Donald Moffat), the station commander.

Not knowing what to make of the incident, the station crew adopts the dog. Unable to contact the outside world via hand radio, helicopter pilot (Kurt Russell) and Dr.

(Richard Dysart) risk a flight to the Norwegian camp to find it destroyed, most of its personnel missing,. Finding evidence that the Norwegians had dug something out of the ice, the pair return to the station with the partially-burned remains of a. An autopsy of the cadaver by Dr.

(Wilford Brimley) is inconclusive, save to find that the creature had what appeared to be a normal set of human internal organs. At Bennings' request, the station's dog-handler, (Richard Masur) kennels the stray with the rest of the station's sled dogs. The dog itself soon transformers into a huge hideous creature and begins to attack the other dogs. The loud barking from the dogs cause Clark to return, finding almost the entire sled team in the process of being assimilated by the creature. MacReady overhears the commotion and pulls a fire alarm, and everyone gathers to the kennel. After MacReady and Garry shoot the creature to no avail, (Keith David) arrives and incinerates it with a flamethrower. A subsequent autopsy by Blair reveals that the stray dog was an alien capable of absorbing and perfectly imitating other life-forms.

Realizing the implications of this, Blair quickly becomes withdrawn and suspicious of the others. A second helicopter expedition discovers an alien spacecraft unearthed by the Norwegian research team, revealing that the creature had awakened after being buried within the ice for thousands of years. Bennings and (Thomas G. Waites) quarantine the remains of the dog-creature and the Norwegian cadaver in the storage room, while (Joel Polis) confers with MacReady in a Snowcat that Blair is becoming unstable and his research indicates the burned creatures are still alive. Moments after Windows left, strands of tentacle-like sinew emerged from the remains of the dog-creature and the Norwegian, and proceed to assimilate Bennings. Windows returns to find the creature assimilating Bennings, and alerts MacReady, who activates the fire alarm; the team corners the alien in mid-transformation and burn it with fuel.

Blair, meanwhile, has calculated that the creature will assimilate the entire planet within three years upon reaching civilization and suffers a mental breakdown: to prevent the alien from escaping, he disables the helicopters, tractors, kills the remaining dogs, and proceeds to wreck the radio room until the team overpowers him and lock him in the tool shed. Now isolated, the crew realizes that they might be contaminated and speculate on how to determine who is human. Windows finds that the medical blood supply has been destroyed, eliminating the chance of blood tests that could reveal the infected party; because the perpetrator used Garry's keys to access the blood, the team nearly dissolves into rampant paranoia as to who is guilty. MacReady puts Garry, Copper, and Clark into isolation, and orders Fuchs to continue Blair's work before an encroaching Arctic storm forces them inside tight quarters. Fuchs, attempting to continue Blair's research, goes missing shortly after a power failure. Fuchs' body is found severely burned, MacReady speculates that Fuchs used a flare to burn himself before the Thing could get to him. MacReady comes under suspicion when a scrap of torn shirt containing his name tag is found at the camp, and he is locked outside in a severe blizzard.